Madness and High Society
This blog really started over on another blog - h-madness - for which I wrote a review of the 'High Society' show at the Wellcome Collection in London. You can read that review cross-posted below.
The Wellcome Collection is one of my favourite museums. I think both the permanent displays and the special exhibitions are always beautifully displayed and conceptualised. One of the first books that I ever reviewed is also by their Head of Public Programmes, Ken Arnold. It changed the way I think about so many things.
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I am writing this review while drinking a cup of coffee in the café of the Wellcome Collection. I would never think of myself as a ‘drug user,’ but the current exhibition High Society reminds us that caffeine is just one of the mind-altering substances which are prevalent in all human societies.
From an opening case of evocative objects – including a Starbucks cup and a Coke can – that draws on the wealth of the Wellcome’s own collections, the exhibition marshals items from ancient Assyrian cuneiform tablets to modern art installations by Richard Hamilton and Keith Coventry to investigate the wide range of ways in which we get ‘high.’ It draws on ceramics, natural specimens, books, prints, paintings, photographs; political advertising, scientific experiments, art installations, interviews to show just how ancient and varied human drug use is. It considers the boundaries between public and private, social and anti-social, legal and illegal. I, in fact, use the term ‘drug’ with trepidation, in case it lead my readers to a culturally-induced ‘pejorative’ understanding of the term which this exhibition by no means endorses.
The opening section ‘A Universal Impulse’ highlights this problem and shows the varying types and functions of drugs in different cultures, considering religious or medical use, and the modern clash between these and international law. Next, ‘From Apothecary to Laboratory’ considers the development from ancient medical plants to modern laboratory drugs and the local and international paths of these. Connected is ‘The Drugs Trade’ section, which reminds us of the ever-present role of British imperial trade and expansion in so much world history, and the importance of the opium trade from India to China in the nineteenth century.
The section on ‘Self-Experimentation’ investigates how scientists and artists have sought to understand what drugs do to the human consciousness and why this varies between individuals; how essentially the results evade complete scientific explanation. The installation by Brion Gysin invites visitors to give themselves a hallucinatory experience. ‘Collective Intoxication’ then considers how drug use is part of social interaction, using and contrasting Western attitudes to more ‘ritualistic’ drug use in other cultures. The final section considers whether drug use is ‘A sin, a crime, a vice, or a disease?’ highlighting how such boundaries change across communities, and have shifted over time along with attitudes to the human mind and body and the relationship between the two.
This exhibition is the Wellcome Collection’s usual high quality and high impact. On a grey Saturday afternoon it was heaving with enthusiastic visitors, showing that the subject is as ‘high’ interest today as the exhibition shows that it has been in the past.